Articles in ACDEMIC journals
1、 “How Computational Logic Shapes the Lifeworld – An Interview with Posthuman Studies Scholar N. Katherine Hayles.”(Chinese) Thinker Weekly信睿周报, CITIC Group, January 15, 2026.
2、Chen, J. and Spence, P. (2025). Transnational connections and barriers in DH: a UK-Chinese case study.(English)
3、“Connections and Barriers: Transnational Digital Humanities between the UK and China.”(Chinese) Digital Humanities Research数字人文研究, No. 3, 2025.
4、“Rationality and Prejudice: AI as the Process of Image Generative Mechanism.”(Chinese) Chinese Photography中国摄影, No. 7, 2024.
5、Yixiao Sun; Xue-Fei Yan; Yaotian Zhang; Jing Chen; Zhicong Chen *; Cheng-Jun Wang * (2024). “Globalization in International Tensions: The Impact of Military Conflicts on Cultural Orientations of Multinational Corporations’ Advertising in Modern China (1932-1937).”(English) Chinese Journal of Communication, No. 5, 2024.
6、“Humanities big data and its applicationin the field of digital humanities.”(Chinese) Big Data Research大数据, No. 6, 2022.
7、Wensi Lin, Mengyue Mengyue, Jisheng Wang, Mengqi Li, Jing Chen. “Digitizing and Recovering the Knowledge of Traditional Chinese Colour of the Nanjing Brocade.”(English) SCIRES-IT – Scientific Research and Information Technology, Vol. 12, Issue 1, 2022.
8、Jing Chen, Mengqi Li et al. “Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship.”(English) Digital Humanities Quarterly, Vol. 16, 2022.
9、“The Digital Humanities Research Path Is a Conscious Choice – An Interview with Professor Chen Jing.”(Chinese) Digital Humanities数字人文, No. 2, 2022.
10、“A Convolutional Neural Network-Based Method for Clustering Modern Newspaper Advertisement Images.”(Chinese) Digital Humanities数字人文, No. 2, 2021.
11、“Printed Ephemera, Digital Archives, and Visual Knowledge Production.”(Chinese) Print Culture印刷文化, No. 2, 2021. (Reprinted in Renmin University Copy Center: Publishing Industry, No. 10, 2021)
12、“A Compilation of Discussions from the Symposium on ‘The Academic Evaluation System for Digital Humanities: Definition and Normative Construction.’”(Chinese) Digital Humanities数字人文, No. 1, 2021.
13、“A Study of the Text Generation Mechanism of Electronic Literature from the Perspective of a Medium-Specific Analysis Model.”(Chinese) Foreign Literature Dynamics外国文学动态研究, No. 2, 2021.
14、“‘What It Is’ and ‘How to Do It’ – A Review of the Symposium ‘Defining Digital Humanities.’”(Chinese) Digital Humanities Research数字人文研究, No. 1, 2021.
15、“Reflections on Text and Textuality from the Perspective of Digital Humanities.”(Chinese) Journal of Southwest Minzu University西南民族大学学报 (Humanities and Social Sciences Edition)人文社科版, No. 8, 2020. (Reprinted in Renmin University Copy Center: Literary Theory人大复印资料•文艺理论, No. 11, 2020; and Research Digest of Literature文学研究文摘, No. 1, 2021)
16、“On the Individual Presentation of the Integration of Art and Technology.”(Chinese) China Literature and Art Criticism中国文艺评论, No. 3, 2020.
17、“Digital Humanities in the Plural – Chinese Digital Humanities from a Comparative Perspective.”(Chinese) Chinese Comparative Literature中国比较文学, No. 4, 2019. (Reprinted in Chinese Social Sciences Digest中国社会科学文摘, 2020; and Social Sciences Digest社会科学文摘, 2020)
18、“Change Must Begin with Everyone’s Vigilance Toward Technology.”(Chinese) Social Sciences Weekly社会科学报, September 15, 2020.
19、“The New Round of Technological Revolution and the Development of New Liberal Arts.” (Chinese) Chinese Social Sciences Today中国社会科学报, August 31, 2020.
20、“Artistic Creativity in the Age of Artificial Intelligence.”(Chinese) Chinese Social Sciences Today中国社会科学报, April 3, 2020.
21、“Digital Humanities Opens New Cultural Horizons.”(Chinese) People’s Daily · Gaofeng Zhilu人民日报 • 高峰之路, February 25, 2020.
22、“Generation, Transformation and Knowledge Production: Approaches to the Integration of Digital Technology and Art”(Chinese) , Journal of Art Theory and Art History艺术理论与艺术史学刊, 2019(3);
23、“Digital Image and Visual Knowledge Production in the AI Era”(Chinese), Research on Marxist Aesthetics马克思主义美学研究 No.2 (2018).
24、“The Current Situation of Research on the Digital Humanities in Contemporary China”(Chinese), Shandong Social Sciences山东社会科学, Volume 275, (Fall 2018).
25、“The Crisis of Digital Humanities in the Transformation of Knowledge Production”, Cultural Studies文化研究, Volume 33, (Spring 2018).
26、“Why Do We Need Digital Humanities?”(Chinese) Social Sciences Weekly社会科学报, Issue 8, 2017, p. 5.
27、“Digitally Archiving Advertising Ephemera: The Case of the Chinese Commercial Advertisement Archive (CCAA) (1880-1940)” (Chinese)，Jianghai Academic Journal江海学刊,2017(2), pp165-171.
28、“Deep into Net: Internet Art and Encoding” (Chinese), Journal of Xuzhou Institute徐州工程学院学报, December 2016, pp68-76.
29、“The State of the Archive: Research Resources for Advertising Studies in Mainland China”(English), Asia Pacific Perspectives (ISSN: 2167-1699), Vol13, No.2, 2016.
30、“History and Debate: Digital Humanities in U.S and U.K”(Chinese), Cultural Studies文化研究, Volume 16, (Fall 2013), pp206-221.
31、” The End of The Late Print Age: Rethink Derrida’s Idea of Literature”(Chinese), Beifang Luncong北方论丛, Volume 239, No.3 (2013), pp43-47.
32、“Toward the Ontology of Medium: In Honor of Fredrick Kittler” (Chinese), Culture Studies文化研究, Volume 13, (2012), pp289-301.
33、“Refashioning of the Print Literature Internet Literature in China”(English), Comparative Literature Studies, Volume 49, No.4 (2012), pp537-546.
34、“Cyborg: Metaphor of Human and Machine ”(Chinese), Research on Marxist Aesthetics马克思主义美学研究, No.2 (2012)
35、“From Culturalism to the ‘Discursive Turn’: Stuart Hall and the Paradigm Shift in British Cultural Studies.”(Chinese) Research on Marxist Aesthetics, No. 2, 2009.
36、“We are Cyborgs——The Cultural Spectacle in Age of Information” (Chinese), Journal of Xiangtan University湘潭大学学报, Volume 33, No.5 (September, 2009), pp106-109.
37、“As Mass Narrative and Critics for Society: Construction of the Cyborg mythology” (Chinese), Social Scientist社会科学家, No.7 (2009), pp24-28.
38、“Traditional Recurrence as a Kind of New Literary: Cultural interpretation of Contemporary Predicament of Network Literature” (Chinese), Hundred Schools in Arts艺术百家, No.2 (2009), pp166-170.
39、“On the Development and Cultural Identity of the Heiyizhuang Ethnic Group in the Context of Globalization.”(Chinese) Journal of Guangxi Normal University (Philosophy and Social Sciences Edition)广西师范大学学报（哲学社会科学版）, No. 3, 2007.
40、“On the Current Situation and Countermeasures of the Reform of Guangxi’s News Publishing Industry.”(Chinese) Journal of Baise University百色学院学报, No. 2, 2007.
41、“On the Development Strategy and Countermeasures of Guangxi’s Cultural Industry.”(Chinese) Journal of Guangxi Normal University (Philosophy and Social Sciences Edition)广西师范大学学报（哲学社会科学版）, No. 1, 2005.
42、“The Situation of ‘Entering’ and ‘Exiting’: The Protection and Development of Heiyizhuang Culture under the Trend of Globalization.”(Chinese) Journal of Guangxi Normal University (Philosophy and Social Sciences Edition)广西师范大学学报（哲学社会科学版）, No. 4, 2004.
Book chapters
1、From Electronic Literature to Digital Humanities: A New Cultural Landscape in the Digital Age. Beijing: Peking University Press (forthcoming).
2、Innovative Thinking and Methods in Digital Humanities. Beijing: Higher Education Press (forthcoming).
3、Lik Hang Tsui, and Jing Chen. “Connecting Digital Systems for Whom and by Whom? Taking Stock of the Digital Research Infrastructures in China.” In Critical Infrastructure Studies & Digital Humanities, edited by Alan Liu, Urszula Pawlicka-Deger, and James Smithies. Minneapolis: University of Minnesota Press, 2025.
4、“Annual Report on Digital Humanities in Chinese Art Disciplines.” In Annual Report on Digital Humanities in China (Volume 1), edited by Feng Huiling. Beijing: Zhonghua Book Company, 2024.
5、Lik Hang Tsui, Benjun Zhu, and Jing Chen. “Finding Flexibility to Teach the ‘Next Big Thing’: Digital Humanities Pedagogy in China.” In What We Teach When We Teach DH: Digital Humanities in the Classroom, edited by Brian Croxall and Diane K. Jakacki. Minneapolis: University of Minnesota Press, 2023.
6、Jing Chen, Lik Hang Tsui. “Debating and Developing Digital Humanities in China: New or Old?” In Global Debates in the Digital Humanities, edited by Domenico Fiormonte, Sukanta Chaudhuri, and Paola Ricaurte. Minneapolis: University of Minnesota Press, 2022.
7、“On the Ephemerality and Digital Archiving of Modern Chinese Newspaper Advertisements.” In Historical Research in the Age of Big Data, edited by Shu Jian. Shanghai: Shanghai Translation Publishing House, 2017.
8、“On Stuart Hall’s Theory of Cultural ‘Representation.’” In Studies in Western Cultural Criticism, edited by Wang Chaoyuan. Beijing: People’s Daily Press, 2016.
9、“Literature after ‘The End of Literature’: A Glimpse of Contemporary Western Electronic Literature.” In Contemporary Comparative Literature and Methodological Construction: Proceedings of the 10th Biennial Conference of the Chinese Comparative Literature Association, edited by Yang Naiqiao, Liu Yunhua, and Song Binghui. Shanghai: Fudan University Press, 2014.
10、“Cyborg: The Metaphor of Human and Machine.” In Marxism and Humanism: Proceedings of the Second Sino-British Bilateral Symposium on Marxist Aesthetics, edited by Wang Jie and Paul Spencer. Beijing: Central Compilation & Translation Press, 2013.
11、“The Path of Popular Culture: The Modern Preservation and Transformation of Heiyizhuang Traditional Culture.” In The Sacred and Simple Beauty: An Aesthetic Anthropological Study of Heiyizhuang Aesthetic Culture, edited by Wang Jie and Wang Chaoyuan. Guilin: Guangxi Normal University Press, 2005.
12、“Reinterpretation in Dissemination: From Folk Songs to the Nanning International Folk Song Festival.” In A Ritual of Seeking the Mother: An Aesthetic Anthropological Study of the Nanning International Folk Song Festival, edited by Wang Jie. Guilin: Guangxi Normal University Press, 2004.
Translations
1、Chen Jing (ed.): Leonardo Anthology (provisional title). Translated by Chen Jing et al. Nanjing: Nanjing University Press (forthcoming).
2、N. Katherine Hayles: My Mother Was a Computer. Translated by Chen Jing. Nanjing: Nanjing University Press, 2025.
3、Tony Bennett: The Birth of the Museum. Translated by Duan Jifang, Chen Jing, et al. Beijing: China Renmin University Press, January 2025.
4、Melissa Terras et al. (eds.): A Digital Humanities Reader. Translated by Chen Jing et al. Nanjing: Nanjing University Press, 2022.
5、Andrew Brown et al.: Critical Realism and Marxism. Translated by Chen Jing, Xue Junwei, Qiang Donghong, et al. Guilin: Guangxi Normal University Press, 2007.
6、Tani Barlow: “What Is Poetry: The Feminine Event and the Global Modern Girl.”Translated by Yang Di and Chen Jing. Jianghai Academic Journal, No. 4, 2017.
7、Jeffrey C. Alexander: “Iconic Experience in Art and Life: Surface/Depth Beginning with Giacometti’s Standing Woman.” Translated by Chen Jing. Cultural Studies, No. 2, 2015.
8、Friedrich A. Kittler: “Gramophone, Film, Typewriter.” Translated by Chen Jing. Cultural Studies, No. 2, 2012.
9、Andrew Collier: “The Dialectic of Marxism and Critical Realism.” Translated by Qiang Donghong and Chen Jing. Seeking Truth, No. 6, 2006.
Digital Humanities Projects and Databases
1、Digital Atlas of Ancient Chinese Cities
2、Ziyue Intelligent Agent
3、Beijing Memory
4、“The Millennial Panorama of Beijing: A Continuous Scroll of the City’s Three Thousand Years” Beijing City Library, 2024.
5、“Literary Capital in Time and Space: A Literary Big Data Visualization Platform” Nanjing Literary Lounge, 2023.
6、“24 Hours of the Qinhuai Sound River” Acoustics Media Lab, Nanjing University, 2023.
7、“N-Museum: Digital Museum of Human Civilization” Qicheng Research Institute, 2022–2023.
8、“Chinese Intangible Cultural Heritage Gene Database” Qicheng Research Institute, 2019–2021.
9、“Historical Image Database” Nanjing University of the Arts, 2019.
10、“ZHI Yi: Virtual Exhibition Platform for Intangible Cultural Heritage” supported by Nanjing Art Fund and Nanjing University Innovation and Entrepreneurship Fund, 2018–2019.
11、“Virtual Exhibition Platform System of the Grand Canal of China (Jiangsu Section)” Nanjing Museum, 2017.
12、“Chinese Commercial Advertisement Archive (CCAA)” Henry Luce Foundation, 2010–2014.